Gordon Firemark is an attorney whose practice is devoted to the representation of artists, writers, producers and directors in the fields of theater, film, television, and music.

His practice also covers intellectual property, cyberspace, new media and business/corporate matters for clients in the entertainment industry.

This is the first live, call-in podcast to clear the air on legal issues for filmmakers and videographers who are looking for answers to questions related to starting a production business, copyright issues, contracts, intellectual property and distribution.

Questions answered:

Leon asks: We have a small budget for working with a major name actor and I have a few questions before getting started. Are terms and provisions in a contract automatically overruled if the actor is part of the screen actors guild? Also, if we secure a major actor are we entitled to pay a lower price for that SAG actor due to our budget? Can you provide some cautionary notes when working with SAG, if any?

Alex asks: I'm in the process of applying to various law schools in the NYC area. My internship is doing publicity for a large cable network. Friends have mentioned to me that many entertainment lawyers are also agents. Would agencies in NY hire a recent college graduate with minimal experience as a receptionist? My bet is that the small ones would. Should I pursue this route, or stick with my comfortable cable network in hopes of advancement? Also, do any entertainment law firms hire interns? Thanks for any advice you can give.

Courtney asks: I created a project recently and am wondering what an acceptable finder's fee for someone bringing in financing? Would I pay this percentage based on the entire funding for the project or just the portion that I personally receive?

Robert asks: Confused between the differences of a "business plan" and a "limited offering memorandum"? Can you define? Also, am I allowed to show and propose investment opportunities to investors without having to file with the SEC before I actually receive financing from them for my video?

Monroe asks: Any standards on paying back investors for an independent film? Do investors continue to make money on the film indefinitely, or is there a cut off point?

Terry asks: Gordon, I hear you mention not liking forms but my question is about forms, sorry. Is there an online source that you can recommend for standard legal forms used for video production? I was asked to have a standard release form with my writing submission?

Show notes

Gordon Firemark's website
Theater Law