Jason asks: Ive been handed one contract for a series of productions for broadcast television. Should I be expecting a seperete contract for internet, on demand, non broadcast, DVD distribution, etc? Does the one contract automatically include a broad use of my work?

Tim asks: A few actors in my film are SAG members with absolutely no credits to their name. Would I need to join or contact SAG in order to use these actors? Is there anything to worry about if I don't contact SAG?

Jamie asks: does a Contract for the Film and Television Industry normally contain segments that pertain to delayed payment methods? If not, what ways would you suggest including these ideas into a contract that exists?

Candice asks: Our community theater is producing a Christmas show that will use other people's songs. What is the best way to find out who owns this classic music? Many of them are religious hymns which, I understand do not hold any copyrights. Please clear this up?

Naomi asks: Our video project is catching the eye of local investors. Is it really necessary to register with the SEC to obtain these funds? What are the conseguences or ways around it? We don't want to violate SEC rules but would like to scratch by by getting our point across and still staying within legal boundaries. What would be illegal when bringing in investors?

Show notes

Gordon Firemark's website
Theater Law